Billi
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埃里克·冯·施特罗海姆
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Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"? The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
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吉姆·贾木许
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奥尔良监狱里新来了两个“无辜”的罪犯：Zack（汤姆·威兹 Tom Waits 饰）和Jack（约翰·劳瑞 John Lurie 饰）。Zack是一个DJ，被女友抛弃后在街上浪荡的他接受了一个朋友的工作：把一辆车开到一个地方，路上他却被警察拦了下来随后在车后座发现了一具尸体；而Jack则被一个老朋友所说服，去见一个年轻貌美的妓女，就在他准备享受一番之时，警察破门而入将他带走。不久，监狱里又来了一个意大利杀人犯Bob（罗伯托·贝尼尼 Roberto Benigni 饰）。三人在一间牢房里闹了不少笑话。百无聊赖的他们计划逃狱，竟然成功了。三人艰辛走过沼泽地，穿过树林，来到了一个意大利女人Nicoletta（尼可莱塔·布拉斯基 Nicoletta Braschi 饰演）住的小屋。Bob和Nicoletta两个意大利人沉浸在爱河中，最后只剩下Jack和Zack继续上路，而他们两人又将在面对岔路口时走向何方...... 本片由美国独立电影导演吉姆·贾木许Jim Jarmusch执导，为一部黑白电影，参加了1986年的戛纳电影节。
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Keith Boak,Joe Ahearne,James Hawes,Euros Lyn,Brian Grant
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《神秘博士》是一部由英国广播公司出品的长寿英国科幻电视剧。 2005年版的第九任博士是忧郁的战争幸存者，经历了时之战争，他封印了他的种族和敌人戴立克，是唯一活下来的人。 该剧讲述了名为“Doctor”（克里斯托弗·埃克莱斯顿 Christopher Eccleston 饰）的神秘外星时间旅行者，随着他的时空机器TARDIS的（Time And Relative Dimensions In Space）冒险故事，他的时空机器外观看上去像1950年代的警亭。博士带着他的伙伴罗斯（比莉·派佩 Billie Piper 饰）在时间、空间中探索悠游、打击邪恶力量、拯救文明、帮助人民、纠正错误、解决各类问题。
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布拉德·安德森
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Five years ago, a tear in the fabric of reality brought creatures to our world from an alternate dimension bent on our destruction. A father hides his daughter on an island to keep her safe while he prepares her for survival and the battles to come. But when the world is about to break, no place is safe.
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彼得·梅达克
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孪生兄弟龙尼·克雷和雷吉·克雷出生后由意志坚强的母亲维奥莱特和两个姨妈抚养成人，两兄弟从小生活在女人堆里，对妇女产生了敬畏的感情。50年代，已长大成人的克雷兄弟变得冷酷无情了，喜欢暴力。克雷兄弟在伦敦接收了一个行将倒闭的弹子房，改造成一家夜总会。雷吉看上了青年姑娘弗朗西丝便和她结了婚。这引起了龙尼的妒忌。他带来姨妈罗丝的噩耗，打断了雷吉和弗朗西丝的蜜月。60 年代，克雷兄弟得到了美国下层社会匪帮的支持，吞并了了他们对立的马耳他匪帮的地盘，扩大了他们的王国。此时，弗朗西丝受到周围黑社会沉重的压力，而且不能与她的婆婆相处，她越来越神经过敏，郁郁寡欢，终于自杀了。这给雷吉打击很大，他得了抑郁症而精神崩溃。龙尼为了帮助他的弟弟从绝望中挣脱出来，两兄弟便向他们的敌人发起攻击。
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达拉斯·詹金斯
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The film centers on the Herdman kids, who are the absolute worst. They lie, they steal, they bully… and they’ve hijacked the town Christmas pageant. As the rowdy and raucous siblings force themselves into all of the lead roles, they drive the pageant’s director, Grace (Judy Greer), and other members of her family, including husband Bob (Holmes), up the wall. But through their misfit mischief, these unlikely messengers might turn out to be the ones to deliver the town’s sensational and moving portrayal of the true meaning of Christmas.
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布莱恩·凯利,Billie Eltringham
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FilmingisunderwayonseriesfourofcriticallyacclaimedITV1detectivedrama,Grace,starringJohnSimmasDetectiveSuperintendentRoyGraceandbasedonthebestsellingnovelsfromgloballyrenownedauthor,PeterJames.SetinBrighton,GracealsoseesreturningcastmembersRichieCampbell(TopBoy,Stephen)asDSGlennBranson,ZoëTapper(Liar)asCleoMorey,CraigParkinson(LineofDuty)asDSNormanPotting,LauraElphinstone(Chernobyl)asDSBellaMoy,BradMorrison(Dinosaur)asDCNickNichollandSamHoare(TheCapture)asACCCassianPewe.ThisserieswillalsofeaturerenownedTVandtheatreactor,RobertGlenister(Sherwood,Hustle).CommentedJohnSimm:“I’msopleasedtobebackonset,filmingseriesfourofGrace.FourofPeterJames’RoyGracenovelsarebeingadaptedforthisseriesandGracefanswillbepleasedtoknowthestoriesareasdarkaseverwithlotsoftwistsandturns.”CommissionedbyITV’sHeadofDrama,PollyHill,andDramaCommissioner,HuwKennairJones,thenewseriescomprisesfourfeaturelengthfilms(4x120mins)basedonPeterJames’snovels.HuwKennairJoneswilloverseeproductionfromITV’sperspective.Viewingfiguresforseriesthreehavesofaraveragedover5.6mperepisode,anincreaseonseriestwo,withthefirstepisodeconsolidatingat6.7m.CommentedHuwKennairJones:“We’rethrilledtobemakinganotherseriesofGrace.JohnandtheteamcontinuetobringPeter’sbrilliantcharactersandstoriestolifeinsuchanexcitingway.It’salsogreattobeworkingwithTallStoryandVaudevilleProductionsagainasweheadbacktoBrightonforfourbrandnewcases.”ExecutiveProducerPatrickSchweitzersaid:“I’mdelightedwearegettingtoadaptanotherfourofPeter’swonderfulbooksforITVandit’sgreattohavethecastandcrewbacktogetherfilminginBrighton.”AuthorPeterJamessaid:“Asawriter,thechancetohavesuchaphenomenalandcollaborativecastandcrewtobringmynovelstolifecontinuestobeadreamcometrue.AudienceshavesogenerouslyembracedtheserieswithsuchenthusiasmandIcannotwaitforRoyGracefans,oldandnew,toseethesefournewepisodes.”Graceisaco-productionbetweenTallStoryPictures,partofITVStudios,andVaudevilleProductions.ExecutiveproducersarePatrickSchweitzerforTallStoryPictures,andAndrewO’ConnorandPaulSandlerforVaudevilleProductions,KiaranMurray-SmithandPeterJames.InternationaldistributionishandledbyITVStudios.WritersforthisseriesareEdWhitmoreforepisodeone,BenCourtandCarolineIpforepisodetwo,TonyMarchantforepisodethreeandJessWilliamsforepisodefour.BrianKellywilldirectepisodeone,BillieEltringhamdirectsepisodetwoandKiaranMurray-Smithisalsotheseriesproducer.ThefirstfilminthenewseriesiscalledDeadMan’sTime.AviciousrobberyatasecludedBrightonhome,drawsGraceandBransonintoapuzzlingenquirywhenthousandsofpoundsworthofbeautifulantiquesarestolenfromthehouse.AsGracedigsdeeperintothismysteriouscrime,heunearthsawebofancientgrudges-awebwhichleadshimdownadark,murderoustrailthroughtheworldofBrightonantiques,inaraceagainsttheclock,tountanglewhoisattheheartofthisrobbery,andbringGavinDalytheanswershehasbeendesperatelychasingformanyyears.Inepisodetwo,WantYouDead,GraceandBransoninvestigateacasewherenothingistrulyasitfirstappears.Whenanunidentifiedvictimisfounddeadincuriouscircumstances,thepostmortemrevealsmorequestionsthanitdoesanswers.AsGraceworkstoidentifythebody,hopingthismightprovidesomecrucialclueastothekiller’smotive,hesoonhasanotherdeathonhishandswhenasecondvictimshowsupincentralBrighton,discoveredinsimilarlybizarrecircumstances.YouAreDeadisepisodethreeinwhichGraceandBransonarethrownintowhatispossiblytheirmostdisturbingandhigh-profilecaseyet,whenanunsettlingdiscoveryofskeletalremainsisunearthedbyworkmendiggingupapathincentralBrighton.Meanwhile,acrossthecitythatsamemorning,avictimissnatchedinbroaddaylight.Withnowitnessesandnosignofwhotookher,Gracestartstosuspectwhetherthevictim’sfiancéislyingtothepolice.ThefinalepisodeintheseriesisLoveYouDead.WhenaknownBrightonburglarisfounddeadinhiscar,ingruesomecircumstances,hiswifeclaimsthathehadturnedoveranewleaf,butalltheevidencepointstothefactthevictimmaystillhavebeenuptohisoldtricksandwasbreakingandenteringonthenighthewaskilled.AsGraceandtheteamworktohoneinonthecircumstancesleadingtothevictim’sdeath,RoyreceivesacallfromaUSpolicecontactaboutacrimeabroadwhichbearsthehallmarksofamafiahit.ThepolicearekeentotraceawomantheybelievetobefromBrighton,whocouldbeindanger.AsRoyscoursthecitytohelpfindher,itbecomesapparentheisn’ttheonlyonelookingforthismysteriouswoman.
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未知
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Follows JJ (speaking directly to audiences for the first time!.) and his best friends as they experience and celebrate life's special milestones. From the excitement of going to a friend's house for the first time, or learning how to take care of a pet, to the scaries of visiting the dentist for the first time, everyone can relate to the BIG MOMENTS in each episode.
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约翰·帕斯昆
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男主人公乔·赛佛（蒂姆·艾伦 Tim Allen饰）是个中规中矩的中年男人，他像所有失败的小人物一样，做梦都想成为一名“大人物”。他一直工作在明尼苏达州的一家制药公司，感叹怀才不遇，得不到应得的赏识。乔的老板本来许诺给他晋升的机会，最后却食言了。而且他的个人生活更是一团糟，他跟妻子凯丽（凯莉·林奇 Kelly Lynch饰）最后还是以离婚收场。本来这不好不坏的工作和浑浑噩噩的生活，如一汪死水般平静。直到他的同事马克（帕特里克·沃伯顿 Patrick Warburton饰）霸占了他心爱的私人泊车位，还在他早熟的女儿面前羞辱乔时，他的怒火终于被点燃了。忍无可忍的乔，决心改头换面，跟马克“决一死战”。 乔是否能像所有人证明：他现在是个“大人物”？而这样的改变，到底好坏与否呢？
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吉姆·贾木许
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奥尔良监狱里新来了两个“无辜”的罪犯：Zack（汤姆·威兹 Tom Waits 饰）和Jack（约翰·劳瑞 John Lurie 饰）。Zack是一个DJ，被女友抛弃后在街上浪荡的他接受了一个朋友的工作：把一辆车开到一个地方，路上他却被警察拦了下来随后在车后座发现了一具尸体；而Jack则被一个老朋友所说服，去见一个年轻貌美的妓女，就在他准备享受一番之时，警察破门而入将他带走。不久，监狱里又来了一个意大利杀人犯Bob（罗伯托·贝尼尼 Roberto Benigni 饰）。三人在一间牢房里闹了不少笑话。百无聊赖的他们计划逃狱，竟然成功了。三人艰辛走过沼泽地，穿过树林，来到了一个意大利女人Nicoletta（尼可莱塔·布拉斯基 Nicoletta Braschi 饰演）住的小屋。Bob和Nicoletta两个意大利人沉浸在爱河中，最后只剩下Jack和Zack继续上路，而他们两人又将在面对岔路口时走向何方...... 本片由美国独立电影导演吉姆·贾木许Jim Jarmusch执导，为一部黑白电影，参加了1986年的戛纳电影节。