Bob
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布莱恩·德·帕尔玛
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中情局获得情报,得知他们的特工中出了一个叛徒,准备将中情局布置在东欧的特工名单出卖给外国特工组织。在特工头目吉姆(乔恩•沃伊特 Jon Voight 饰)的策划下,伊森(汤姆•克鲁斯 Tom Cruise 饰)所住的一组特工赶往了他们交易的地点。 岂料,当他们按计划赶到 时,却中了埋伏,一组人中除了伊森和吉姆的妻子克莱尔,其他队员都被杀害。这时,伊森的账户无端端多出了12万美金。伊森成了内鬼的最大的嫌疑犯。 无奈之下,伊森只能凭个人之力独闯龙潭虎穴去找出出卖他们的内奸。他和外国间谍组织的接头人麦克斯取得联系后,答应帮麦克斯偷出中情局的间谍名单以交换中情局内鬼的名字。
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Jon Cassar
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在经历了上一次的恐怖袭击之后,由于政府对CTU应对恐怖事件的解决方式不太满意,还是最终决定解散CTU。杰克·鲍尔(基弗·萨瑟兰 Kiefer Sutherland 饰)也因使用酷刑等非法手段来防止恐怖袭击,而受到审查。原本以为自己终将在监狱里度过余生,却因死而复生的前同事托尼(卡洛斯·博纳德 Carlos Bernard 饰)的出现,彻底打乱了杰克现有的生活。托尼希望杰克能与他一起,共同调查又一次在美国大路上展开的恐怖袭击。而随着调查的不断深入,杰克觉得身边的托尼越来越琢磨不透。杰克一直觉得托尼有什么事情没有对他说明白。由于新总统对杰克的信任,所以他们的调查之路虽然危机重重,但是开展得还算顺利。不过,最后杰克终于发现这次恐怖袭击的幕后策划者,原来是一直与他并肩作战的朋友托尼……
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马克·卡罗,让-皮埃尔·热内
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一个虚构的年代背景,经济萧条,人人自危,甚至要以人肉为食物赖以生存。 一幢破败的房子里住在屠夫一家。他们亦靠屠宰人肉为食。诡秘荒诞的色调下,屠夫挥舞着明晃晃的刀宰杀人肉。而这幢楼,还住着各式充满诡异色彩的人物:吃蜗牛的住客、对自杀非常迷恋的女人,爱切罐头的男子…… 他们说过,如果没有外来的食物补给,那么自己人的肉也不会放过,小丑路易(多米尼克•皮诺 Dominique Pinon 饰)前来打工,闯入了这个荒唐的世界,成为大家眼里的盘中餐。然而,屠夫的女儿(玛希罗蒂杜娜Marie-Laure Dougnac 饰)却爱上了他,并设法帮助他逃过大劫,这片世界开始陷入了混乱和崩溃之中。
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纳沃特·帕普莎多
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萨姆(凯伦·吉兰饰)的母亲斯卡利特(琳娜·海蒂饰)是一名精英刺客,当萨姆被迫与母亲分开时,她只有 12 岁。萨姆由 The Firm 抚养长大,这是她母亲为之工作的无情犯罪集团。现在,15 年过去了,萨姆跟随母亲的脚步,成长为一名作风凌厉的女杀手。她用自己的“才能”来收拾 The Firm 最危险的烂摊子,既能干又忠诚。但是,当高风险工作出问题时,萨姆必须选择继续效忠 The Firm,还是保护无辜的 8 岁女孩埃米莉(克洛伊·科尔曼饰)的生命。萨姆成为了被追杀的对象,现在她只有一次生存的机会:与她的母亲和其他女杀手“图书管理员”(杨紫琼、安吉拉·贝塞特和卡拉·古奇诺饰)团聚。这三代女性现在必须学会彼此信任,勇敢地对抗 The Firm 及爪牙大军,奋起反抗那些可以夺走她们一切的人。
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Roger Ordish,Bob Spiers,Nick Symons,Kevin Bishop
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A Bit of Fry Laurie was a British television sketch comedy show, starring and written by Stephen Fry and Hugh Laurie, broadcast by the BBC between 1989 and 1995. Running for four series, it totalled 26 episodes (including a 35 minute special in 1987). Series four (1995) [edit]Episode 1 Guests: John Bird, Jane Booker Sketches: Grey and Hopeless Guests Introduction Blame Charter Jane's Poem (NOTE: Script appeared in first script book as Stephen's Poem, but the poem is the same, except the line about his wife dying is changed to Jane's grandfather being murdered.) Smell All We Gotta' Do (song Laurie performed this song when he hosted "Saturday Night Live" in 2006) Channel Changer Wonderful Life Cocktail Ending: Golden Meteorite [edit]Episode 2 Guests: Fiona Gillies, Kevin McNally Sketches: Dog Hamper Hugh's Bandage Child Abuse Guests Introduction Going for Gold I'm in love with Steffi Graf (song) Lovers' Helper Fascion Avenger Operational Criteria Cocktail Ending: Long, Confident Suck [edit]Episode 3 Guests: Imelda Staunton, Clive Mantle Sketches: Vox Pops Guests Introduction Barman Interruptus Little Girl (song) Making Tea For Some Reason Angry Don't Be Dirty Cocktail Ending: South Seas Vulvic Wart [edit]Episode 4 Guests: Caroline Quentin, Patrick Barlow Sketches: Good Evening Guests Introduction Soccer School Dalliard: Models Hugh Interviewing Guests The polite rap (song) Head Gardener Gelliant Gutfright("Flowers For Wendy") Cocktail Ending: A Quick One With You, Stephen [edit]Episode 5 Guests: Phyllida Law, Stephen Moore Sketches: Oprah Winfrey Guests Introduction Grand Prix Tribunal Red and Shiny Pooch Disgusting Wasps Cocktail Ending: Swinging Ballsack [edit]Episode 6 Guests: None Sketches: Stolen Money Young Tory of the Year Variety Gossiping Heads Death Threat What I Mind (Misunderstood) (Song) Honda The Duke of Northampton Cocktail Ending: Silver Prostate [edit]Episode 7 Guests: Janine Duvitski, Robert Daws Sketches: Guests Introduction Religianto Consent Sophisticated Song (song) Fast Monologue Telephone Alert Truancy Cocktail Ending: A Modern Britain
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克里斯蒂娜·科斯坦蒂尼,卡里姆·塔布什
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瓦尔特·梅尔卡多是一位雌雄莫辨的著名占星家。几十年来,他的奢侈作风和积极的态度使 1.2 亿拉美裔观众为之着迷。后来,他从大众的视线之中消失了。《Mucho Mucho Amor》由获奖的纪录片导演克里斯蒂娜·科斯坦蒂尼(《科学展览会》)和卡里姆·塔布舍(《最后的圣地》)共同执导,并由亚历克斯·富梅罗(《蒂姆·罗宾逊短剧:还不快走》)担任制片人。
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Mark Burnnet
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19个赛季,137名选手,这个收视长红的老牌真人节目已经伴随我们九年半。此番节目方召集20名玩得最精彩最富话题性的明星选手,在萨摩亚展开一场英雄对阵恶棍的终极较量。这些第二次甚至第三次参赛的选手究竟会选择报复还是救赎,而在这场正邪较量中笑到最后的究竟会是勇气荣誉还是智谋诈欺。敬请一起关注 Survivor:Heroes vs Villains !
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Claudia Frank,Bob Schermerhorn
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This show is quite possibly the biggest waste of videotape, electricity, and RF bandwidth in the 70+ year history of television. It's nothing but 60 minutes of some of the worst bile that can come out of human beings, male or female. Basically, it's nothing but pure bitchy, catty, c*nty, vile harpiness among the contestants, judges, and the fashionistas (or should I say fashionazis). Typically a lot of insulting, backbiting, and bitchy, unnecessarily anal-retentive criticism. The thing that gets me about the show is how much the judges and fashionazis (and the pretentious shallow fashion industry in general) nit-pick against the equally bitchy contestants about little, petty, trivial, frivolous, anal-retentive things about their appearance, personality, etc. Things that the *REAL* people in this world (which the fashion industry lacks, thankfully) wouldn't give rat's ass number 1 about. (Myself included.) Crap like: "Oh, your left eyebrow is a yoctometer off center. That isn't gonna fly, and nobody will take you seriously in this industry because of it!" Or, "You're breathing wrong. Good luck with winning this competition." I'm just kidding here, but they usually end up saying things almost exactly like this on this show. If getting into the fashion industry is this hard, painful, bitchy, insulting, nit-picky, catty, backstabbing, and anal-retentive as this show tries to portray, than thank the good Lord that He made me all fat, balding, hairy, and dumpy-frumpy-dowdy-frowsy-geeky-lookin', because I would never want to be required to have the caustic bitchiness and anal, pretentious attitude of any model or fashionazi (or any fashion industry worker), namely the people on this show. And Janice Dickinson, mercy, do not get me started on her... This show needs to die. It's this show (and many other "reality" shows like it) that proves that competitiveness (and the fashion industry) is truly the devil's tool...
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Bobbi Jo Hart
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内详
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Rebels on Pointe is the first-ever, cinéma vérité documentary film celebrating Les Ballets Trockadero de Monte Carlo -- the all male, drag ballet company founded over 40 years ago on the heels of New York's Stonewall riots. The company has performed in over 500 cities and 33 countries, and has a cult following around the world. The film juxtaposes exclusive, behind-the-scenes access and intimate, character-driven stories of its dancers, highlighted by amazing performances shot around the world. Rebels on Pointe ultimately celebrates our shared humanity through universal themes of identity, dreams, family, love, loss, determination and resilience... proving that a ballerina is not merely a woman dancing, but an act of revolution in a tutu.
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David Fairhead
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At the heart of the Apollo program was the special team in Mission Control who put a man on the moon and helped create the future.






























